Artistically, the attention to sound, noted back in 1983 with two Academy Award nominations, can be validated as an important subjective correlative to the crew’s inability to see anything outside their narrow metal tube.
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Lengthier cut will also even more fully validate the affectionate jokes that the film really does make you feel what it was like to be stuck in a submarine for a long time.īut the picture remains an intense, superbly crafted work, with the huge new plus of a soundtrack that could scarcely be more finely tuned and significant to the impact of the film as a whole. At times in the new version, especially during the two or three passages in which the crew is desperately trying to make repairs to the damaged craft, the action does seem distended and overly generalized. The story arc and significant incidents on display are the same in both theatrical versions. New cut plays out at 207 minutes (almost 3-1/2 hours), which will limit daily showings, probably restrict release to special exclusive engagements and even make some fans of the original think twice about whether they want to re-immerse themselves in “Das Boot” for such a long spell.
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Theatrical version originally ran 145 minutes, while a German TV miniseries occupied six hours. It then visits the Spanish port of Vigo, makes a perilous passage through the Strait of Gibraltar, undergoes a long struggle to recoup from damages while resting on the ocean floor, and finally returns to La Rochelle, where a bitterly ironic fate awaits much of the crew.
Following a long period of waiting with no targets in sight, it makes a victorious hit on a British convoy, followed by prolonged skirmishing with a destroyer that nearly knocks it out with a succession of depth-charges. Domestically, it generated a muscular $11 million gross, ranking it seventh on the all-time list of foreign-language films, and was considered a surprising success for a film about the war from the German perspective set almost entirely within the cramped confines of a submarine.īut Petersen proved his mettle with many scenes of breath-shortening suspense in his recounting of the several-months voyage of U-96 as it journeys from its home berth in La Rochelle, France, into a stormy North Atlantic in autumn 1941. the following year by Triumph, Columbia’s then-classics division. Below are all of Wolfgang's Petersen's movies, ranked from worst to best.Pic was originally released in Germany in 1981 and in the U.S. Wolfgang Petersen died in August 2022 of pancreatic cancer, leaving behind a bold and diverse filmography, as well as a reputation for being an astute director who helped propel the model of blockbuster filmmaking throughout his career. Poseidon would serve as Petersen's last venture into big-budget Hollywood filmmaking, with him taking a 10-year hiatus after its debut and then returning to direct the German-language heist film Vier Gegen die Bank in 2016.
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Wolfgang Peterson hit a rare snag with his 2006 movie Poseidon, which was geared to be a big summer blockbuster but failed to draw in the same appeal as the director's previous efforts. Related: The NeverEnding Story II Gave The Story An Actual Ending That led to Petersen's most successful run, including the blockbuster hits Outbreak with Dustin Hoffman, Air Force One starring Harrison Ford and Gary Oldman, The Perfect Storm with George Clooney and Mark Wahlberg, and Troy starring Brad Pitt, all of which enjoyed good-to-great box office. feature work, leading to 1993's In The Line of Fire starring Clint Eastwood, which was a massive success, both critically and commercially.
That release course-corrected Petersen's U.S. He took six years after that to direct his next movie, the psychological thriller Shattered starring Tom Berenger. production was the sci-fi thriller Enemy Mine with Dennis Quaid and Louis Gossett Jr., which was a flop at the time.
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